
IHipHop’s Instagram Babe of the Week: Niykee Heaton 0 comments Hacked Photos Of Christina Aguilera Exposed(Pictorial) 4 comments Raz-B is Exposing Everyone! Play and Listen week of eazy e video 1 of 7 the week of eazy starts with here with the debut album from eric eazy duz it tomorrow 5150 home 4 tha sick album review Eazy-Duz-It Album Re-Review Mp3 By Vaseline Knight Publish. As a Compton rapper and a founder of Ruthless Records, Eazy-E went from neighborhood rock-slinger to international celebrity with Gangsta Rap pioneers NWA. Join Napster and access full-length songs on your phone, computer or home audio device. Live concert albums of your favorite band.
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Learn how to download music and how to burn music. All songs are in the MP3 format and can be played on any computer or on any MP3 Player including the iPhone. In 1996, the Southern Californian had a cameo on the Dogg Pound's single "Let's Play House," but her second album, Hung Jury (a Priority release), didn't come out until 1998 - nine years after her self-titled debut - and it wasn't nearly the smash that Michel'le's previous album had been.Music Downloads Search and download from over 6 million songs, music videos and lyrics. didn't turn deadly nonetheless, Michel'le was said to be furious over the things that Tim Dog said about her on "Fuck Compton." But, as much attention as Michel'le received in 1989 and in the early '90s, her popularity didn't last long. clique had several years later, Tim Dog's war of words with the members of N.W.A.

In 1991, Michel'le became the victim of some East Coast/West Coast rivalry that year, Bronx rapper Tim Dog (formerly of the Ultramagnetic MC's) said some insulting things about Michel'le and Dre on his angry, West Coast-bashing single "Fuck Compton." Unlike the infamous, well-publicized feud that L.A.'s Death Row Records/Suge Knight clique and New York's Puff Daddy/Bad Boy Entertainment/the Notorious B.I.G. The equally funky "Nicety," which was released as a single in 1990, was another major hit, and "Keep Watchin'" (the album's third single) also fared well. The funky "No More Lies," Michel'le's debut single, was a major hit on the same R&B stations that went out of their way to avoid Straight Outta Compton it was also a big pop hit and reached the Top Ten on Billboard's pop singles chart.

members, Michel'le's album didn't sound anything at all like that group's controversial and disturbing gangsta rap and unlike N.W.A.'s Straight Outta Compton, it enjoyed a great deal of exposure on urban radio. But, despite the participation of all those N.W.A. In 1989, Dre produced Michel'le's self-titled debut album Eazy served as executive producer, while the mixing was handled by Dre and DJ Yella (another N.W.A. Although Ruthless was primarily a rap label, Dre and Eazy wanted to branch out into urban contemporary singing and Michel'le, although quite hip-hop-influenced, was very much an urban contemporary singer. Fad, and Michel'le were signed to Ruthless/Atlantic. (one of the most important and influential groups in the history of gangsta rap) went through Priority, while the D.O.C., J.J. Ruthless was distributed by different labels, depending on the artist. It was in 1989 that Michel'le signed with Eazy-E's Ruthless Records, which was the home of N.W.A.

Blige was exalted as the "Queen of Hip-Hop Soul" - and before the rise of Faith Evans and Lauryn Hill - Michel'le was a young neo-soulstress who had strong ties to the hip-hop world. back then.Īrguably, the singer was ahead of her time. Dre and the late Eric "Eazy-E" Wright - were partly responsible for the success of Michel'le, who pronounces her name "meesh-a-lay." And her manager was music industry veteran Jerry Heller, who was also managing N.W.A. Michel'le, who is best-known for her smash hit "No More Lies," favored a very hip-hop-minded approach to R&B, and that isn't the least bit surprising when you take into consideration the company that she kept. Some people jokingly called her the Betty Boop of urban contemporary, although the Boop comparisons had more to do with her speaking voice than her singing (which could be quite gritty at times). One of the more interesting urban contemporary vocalists of the late '80s and early '90s, the Los Angeles-based Michel'le was known for having a squeaky, high-pitched speaking voice and an aggressive, full-bodied style of singing.
